![]() THE LION KING – (Pictured) Caleb Deschanel. Those shots were then edited together and handed over to the effects team at MPC (owned by Technicolor) to create the images you see in the final film. ![]() Then the art department got to work creating sets - the aforementioned virtual Serengeti - which could be “filmed” by moving a real camera around the space (hence the need for real-world camera equipment like dolly tracks). It started with a research trip to Kenya, with copious reference photos taken of the landscape and animals. In the main room, almost everything was black - black padding on the walls, black VR headsets, black dolly tracks for the camera.ĭirector Jon Favreau explained to visiting journalists that the plan was to create a virtual Serengeti in the Unity game engine, then apply live action filmmaking techniques to create the film - the “Lion King” team described this as a “virtual production process.” So what I visited in 2017 was a nondescript Los Angeles warehouse filled with computers. After all, even though the film looks like a live action remake of “The Lion King,” every shot except for the first was created on a computer. Instead, if you’ve seen the movie (which came out on July 19), you probably won’t be surprised to hear that there wasn’t a single set or costume in sight. When I was told that I’d be visiting the production of Disney’s new “Lion King,” I had a hazy idea of what to expect - sets recreating the iconic landscapes of the animated film, maybe some actors in costumes or motion capture suits.
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